Sony ILCE-7C Alpha 7C Full-frame Interchangeable Lens Camera With SDK
Unveiling the ILCE-7C: The World's Lightest Full-Frame System for Unmatched Photography
The world’s smallest and lightest full-frame system
Introducing the smallest and lightest full-frame digital interchangeable-lens system with optical in-body image stabilization (with FE 28-60mm F4-5.6 lens). Without compromising the performance of a full-frame NDAA compliant camera, the component layout, body structure and internal mechanisms are all thoroughly reimagined. Operability and toughness have been optimized within a body that is approximately 19% smaller in volume and 22% lighter than the α7 III, at only 509 grams.
Expressiveness only possible with a full-frame sensor
A 35-mm full-frame image sensor is about 30x larger than a 1/2.3-type smartphone sensor and even 2.3x larger than an APS-C sensor. By capturing significantly more light, it opens up new creative possibilities through wider dynamic range, less noise, and higher perceived resolution. Deep bokeh, using shallow depth of field, is also possible in combination with a bright (wide-aperture) full-frame lens.
Faithfully capture what you see
The back-illuminated Exmor R™ CMOS sensor and BIONZ X™ image processing engine work together beautifully. The extra-large pixels of a 24.2-megapixel full-frame sensor collect more light, for a 15-stop wide dynamic range and smoother gradations from shadows to highlights. Excellent subjective resolution and reduced noise pair with precise color reproduction for beautifully accurate skin tones and natural textures.
Stunning bokeh, enabled by a full-frame sensor
Bokeh is selective focus with a blurred background that makes the subject stand out. Portraits or close ups are enhanced with new meaning and depth. The α7C, with its full-frame sensor, can achieve bokeh when a smaller sensor-size camera with the same f-stop lens might not. When paired with over 50 lenses available from Sony, the α7C becomes an excellent choice for creative photographic composition and movie creation.
Impressive low-light images
With its large pixel size, in dimly lit situations or at high shutter speeds, the camera takes beautiful pictures with low noise, even when in the high sensitivity range. Standard ISO is from 100 up to ISO 51200 (expandable from ISO 50 to ISO 204800). Noise reduction is designed to be particularly effective in the common mid-sensitivity range to faithfully reveal textures and detail in shadows.
Express yourself with E-mount lenses
Over 50 Sony E-mount lenses enable broad creative expression, and a full-frame sensor allows you to leverage the full capabilities of Sony lenses. From wide angles, to enhanced creative compression effects on telephoto lenses, with the full-frame α7C the possibilities are endless.
The engine that powers your images
The BIONZ X image processing engine reflects Sony’s expertise in imaging technologies. It processes images with the front-end LSI in 16-bits and outputs 14-bit RAW data for richer, more natural gradations, even in silent or continuous shooting modes. Combined with the Sony sensor, it delivers excellent color reproduction, noise reduction, and low-light performance.
Shoot sharp images without hand shake
5-axis image stabilization lets you zoom, get close-ups and capture night scenes with greater clarity. Compensation is equivalent to a 5.0-step faster shutter speed.
Stay focused anytime, anywhere
Autofocus is improved by optimally applying the advancements of the α9, including the unique 4D FOCUS for wide-area, ultra-fast and steadfast tracking over time. With 693 phase-detection and 425 contrast-detection AF points, the sensor provides wide and high-density AF covering approx. 93% of the image.
Continuous focus on active subjects
When you're tracking a fast-moving subject, the camera can utilize built-in AI-based Real-time Tracking. This subject recognition algorithm draws on color, pattern (brightness), subject distance (depth), and face/eye information to recognize and hold onto your subject.
Capture the eyes to capture the shot
Real-time Eye AF highlights Sony's Speed x AI technology. For both stills and movies, when a face is partially hidden, looking down, or even backlit, focus stays on the subject's eye for reliably impressive portraits. It supports all AF modes, and when [Face/Eye Priority in AF] is set to ON, it’s activated three ways: custom key, half-pressing the shutter, or AF-ON button.
Capture focus with animal eyes, too
With cutting-edge algorithms, the ILCE7C supports Real-time Eye AF with animal eyes. Focus on the eye instead of the nose or whiskers will greatly increase your success in capturing images of animals, from favorite pets at home to unpredictable wildlife. Tracking continues even if the subject is partially obscured or if your camera orientation changes.
Activate Real-time Tracking anytime, with AF-ON button
When the focus mode is AF-S, AF-A, AF-C, or DMF, Real-time Tracking can now be activated by the AF-ON button. This is a convenient way to capture moving subjects in snap shots even with the focus mode set to AF-S. Being able to initiate Real-time Tracking simply with a thumb press anytime under AF modes expands your shooting possibilities.
Intuitive touch operation and display
When using Real-time Tracking, etc., touching the LCD monitor can initiate autofocus for both stills and movies. Touching the LCD monitor under selected settings, such as this allows for intuitive AF operation. When not using AF, focus can be checked with a quick glance at the LCD monitor. In DMF or manual focus (MF) modes, it brings up a peaking function that color-highlights the area of sharpest focus to adjust the focus point. Choose from four peaking colors for best visibility or contrast. This is especially effective when delicate focusing is required like shooting with a macro lens.
Don't miss the best shot of a moving subject
The α7C is capable of continuous shooting at up to 10 fps with AF/AE tracking, and up to 8 fps in live-view mode to keep focus on a moving subject and capture precise moments. When combined with silent shooting at up to 10 fps, it becomes possible to photograph in sound-sensitive environments, or capture active babies or pets without shutter sounds disturbing them.
Autofocus that works when it is getting dark
Advanced algorithms contribute to high autofocus and distance measurement precision even at light levels as low as EV-4 in the AF-S mode, allowing for shots with precise AF even when scenes are dark.
Take 4K movies to a higher level
Enjoy shooting movies with the depth of field control, beautiful bokeh, and the clean low-light scenes only possible with a full-frame sensor. The α7C shoots 4K (QFHD: 840×2160) using full-pixel readout and 6K oversampling, for exceptional detail with minimal moiré and jaggies.
Movie-making profiles for expressive creativity
With S-Log3 gamma profiles you can capture the full dynamic range of a scene, with up to 14-stops giving you access to fine details and gradations in both shadows and highlights during post-production. Alternatively, the HLG (Hybrid Log-Gamma) mode allows for direct HDR movie playback and workflows. In addition, the α7C has various Picture Profile settings to expand your possibilities for movie making.
In-camera high-speed, slow motion effects
It's easy to create movies in-camera at frame rates from 1 to 120/100 fps for up to 60x quick motion and 5x slow motion in Full HD resolution. Turn everyday motion into extraordinary artistic moments with ease, to add drama and excitement to your movies.
Designed for movie-making
The MOVIE button has been moved to the top panel to improve access when shooting from different angles, including from waist-level and for selfie or vlogging shots. Also, the α7C codes vertical orientation in metadata so after uploading to social media via a smartphone, the newly popular vertical movie format plays back correctly, eliminating the need for post editing on a PC.
Clear digital audio recording
The α7C supports a digital audio interface through the camera’s Multi Interface (MI) Shoe. A digital microphone like the ECM-B1M Shotgun Microphone or XLR-K3M XLR Adaptor Kit provide clear digital audio for all kinds of movie recording, enhancing the sound to match the image. Like other MI shoe accessories, no cables or batteries are required, providing unrestrained freedom for movie-making.
Expandable video creativity
External mic and headphone jacks help you customize your movie shooting process. The headphone jack supports high-quality headphones for accurate sound monitoring, and the audio output timing can be set to Live for optimum monitoring or Lip Sync to sync video and audio outputs together. You can connect a wide variety of external microphones to the mic input for great sound in varied environments.
Easy vlogging with a cable-free shooting grip
The compact and lightweight α7C is ideal for high-quality imaging during travel and vlogging. For easy one-handed shooting the GP-VPT2BT grip, via wireless Bluetooth® connection, puts key camera functions including zoom, record and shutter controls in easy reach and even converts to a mini-tripod. Match it with the ECM-B1M microphone for a compact, cable-free vlogging system.
External flash control from the camera
Most settings, including light output, of an attached compatible flash or Wireless Radio Commander (both sold separately) can be controlled via a camera menu with changes showing on the flash display. With compatible flash units, a new auto white balance function linked to the camera’s face detection system achieves natural color tone for human faces by analyzing the light incident on the subject’s face from both the flash and the surrounding environment.
Sharing to the world with Wi-Fi®
Wi-Fi® (2.4GHz or 5GHz) enables remote wireless shooting using Imaging Edge™ Desktop and Imaging Edge Mobile™ apps, for shooting creative angles, previewing, control, and transfer to PCs and mobile devices for distant selfies. After shooting, you can quickly save or share images around the world by pairing with a smartphone or tablet. FTP file transfer of still images is also possible, even during shooting.
Bright and easy LCD monitor
The side-opening, vari-angle LCD monitor is intuitive to use, rotating 176° horizontally and 270° vertically. The large touch-sensitive screen, with approximately 921 thousand dots, provides optimum visibility even in bright outdoor light. You can frame your shot or selfie from virtually any position and angle for both stills and movies. Touch Tracking, Touch Focus, and Touch Shutter are all supported.
For still-image photographers
A clear view of images in any environment is possible because the viewfinder is properly equipped despite the body’s compact size. The 2.35 million-dot XGA OLED Tru-Finder™ electronic viewfinder achieves high contrast and faithful tonal reproduction for fine subject detail display. Smoother image with 120/100fps frame rate makes it easy to track moving subjects. To enhance the user experience, the grip hold and shape have been carefully designed, so that compactness and usability are both uncompromized.
Small and lightweight, yet robust and reliable
Magnesium alloy used for the top, front, and rear covers enhances body durability. For the α7C, camera parts and internal structures were carefully optimized to reduce size and weight. On the one hand, a monocoque structure patterned after airplane design helps to reduce weight while increasing the strength, realizing a lightweight camera body with rigid flexibility. And on the other, the shape is supremely ergonomic and also weather sealed against dust and moisture for comfortable and confident shooting in a wide range of conditions.
Take more shots and shoot longer
Despite the compact body, the high-capacity NP-FZ100 battery provides power to capture up to an industry-leading 740 images on a full charge when using the LCD monitor, or 680 when using the viewfinder. This also allows up to 215 minutes of movie recording without a break, when using the LCD monitor. In addition, the USB Type-C® connector allows recharging from an AC adaptor or powerbank while continuing to shoot, for limitless shooting potential.
Imaging Edge
Elevate your photography with Imaging Edge Desktop applications. Use "Remote" to control and monitor shooting live on your PC screen; "Viewer" to quickly preview, rate, and select photos from large image libraries; and "Edit" to develop RAW data into high-quality photos for delivery. Get the best from Sony RAW files, and manage your productions more efficiently.
Imaging Edge Mobile & Movie Edit add-on
With built-in Wi-Fi® and the Imaging Edge Mobile apps on a mobile device, you can remotely operate the camera's shutter and movie recording start and stop. Images and 4K movies can also be wirelessly sent to a device for easy sharing. And, using Movie Edit add-on with your α7C, handheld movies can be automatically stabilized, for gimbal-like smooth motion, directly on your smartphone.
Works with iMovie and Final Cut Pro X
This product is compatible with Final Cut Pro X and iMovie.
| General | |
| Camera Type | Interchangeable lens digital camera |
| Lens Mount | E-mount |
| Image Sensor | |
| Type | 35mm full frame (35.6 x 23.8mm), Exmor R CMOS sensor |
| Number Of Pixels (Total) | Approx. 25.3 megapixels |
| Number Of Pixels (Effective) | Approx. 24.2 megapixels |
| Image Sensor Aspect Ratio | 3:2 |
| Color Filter | R, G, B primary color |
| Anti-Dust System | Yes (Charge protection coating on optical filter and image sensor shift mechanism) |
| Recording System (Still Image) | |
| Recording Format | JPEG (DCF Ver. 2.0, Exif Ver.2.32, MPF Baseline compliant), RAW (Sony ARW 2.3 format) |
| Image Size (Pixels) [3:2] | 35mm full frame L: 6000 x 4000 (24M), M: 3936 x 2624 (10M), S: 3008 x 2000 (6.0M), APS-C L: 3936 x 2624 (10M), M: 3008 x 2000 (6.0M), S: 1968 x 1312 (2.6M) |
| Image Size (Pixels) [4:3] | 35mm full frame L: 5328 x 4000 (21M), M: 3488 x 2624 (9.2M), S: 2656 x 2000 (5.3M), APS-C L: 3488 x 2624 (9.2M), M: 2656 x 2000 (5.3M), S: 1744 x 1312 (2.3M) |
| Image Size (Pixels) [16:9] | 35mm full frame L: 6000 x 3376 (20M), M: 3936 x 2216 (8.7M), S: 3008 x 1688 (5.1M), APS-C L: 3936 x 2216 (8.7M), M: 3008 x 1688 (5.1M), S: 1968 x 1112 (2.2M) |
| Image Size (Pixels) [1:1] | 35mm full frame L: 4000 x 4000 (16M), M: 2624 x 2624 (6.9M), S: 2000 x 2000 (4.0M), APS-C L: 2624 x 2624 (6.9M), M: 2000 x 2000 (4.0M), S: 1312 x 1312 (1.7M) |
| Image Quality Modes | RAW (Compressed / Uncompressed) JPEG (Extra fine / Fine / Standard) RAW & JPEG |
| 14BIT RAW | Yes |
| Picture Effect | 8 types: Toy Camera (Normal / Cool / Warm / Green / Magenta), Pop Color, Posterization (Color, B/W), Retro Photo, Soft High-key, Partial Color (R/G/B/Y), High Contrast Monochrome, Rich-tone Monochrome |
| Picture Profile | Yes (Off / PP1-PP10) Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset |
| Creative Style | Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn leaves, Black & White, Sepia, Style Box (1-6) |
| Color Space | sRGB standard (with sYCC gamut) and Adobe RGB standard compatible with TRILUMINOS Color |
| Dynamic Range Functions | Off, Dynamic Range Optimizer, Auto High Dynamic Range |
| Recording System (Movie) | |
| Recording Format | XAVC S |
| Video Compression | XAVC S: MPEG-4 AVC/H.264 |
| Audio Recording Format | XAVC S: LPCM 2ch |
| Picture Effect | 7 types: Toy Camera (Normal / Cool / Warm / Green / Magenta), Pop Color, Posterization (Color, B/W), Retro Photo, Soft High-key, Partial Color (R/G/B/Y), High Contrast Monochrome |
| Creative Style | Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn leaves, Black & White, Sepia, Style Box (1-6) |
| Picture Profile | Yes (Off / PP1-PP10) Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset |
| Color Space | xvYCC standard (x.v.Color when connected via HDMI cable) compatible with TRILUMINOS Color |
| Movie Recording Format (XAVC S 4K) | |
| 3840 x 2160 (4:2:0, 8bit NTSC) (Approx.) | 30p (100Mbps / 60Mbps) 24p (100Mbps / 60Mbps) |
| 3840 x 2160 (4:2:2, 10bit NTSC) (Approx.) | - |
| 3840 x 2160 (4:2:2, 8bit PAL) (Approx.) | 25p (100Mbps / 60Mbps) |
| 3840 x 2160 (4:2:2, 10bit PAL) (Approx.) | - |
| Movie Recording Format (XAVC S HD) | |
| 1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.) | - |
| 1920 x 1080 (4:2:0, 8bit, NTSC) (Approx.) | 120p (100Mbps / 60Mbps) |
| 1920 x 1080 (4:2:0, 8bit, NTSC) (Approx.) | 60p (50Mbps / 25Mbps) |
| 1920 x 1080 (4:2:0, 8bit, NTSC) (Approx.) | 30p (50Mbps / 16Mbps) |
| 1920 x 1080 (4:2:0, 8bit, NTSC) (Approx.) | 24p (50Mbps) |
| 1920 x 1080 (4:2:0, 10bit, PAL) (Approx.) | - |
| 1920 x 1080 (4:2:0, 8bit, PAL) (Approx.) | 100p (100Mbps / 60Mbps) |
| 1920 x 1080 (4:2:0, 8bit, PAL) (Approx.) | 50p (50Mbps / 25Mbps) |
| 1920 x 1080 (4:2:0, 8bit, PAL) (Approx.) | 25p (50Mbps / 16Mbps) |
| Slow & Quick Motion (S&Q) | |
| Image Frame Rate | NTSC mode: 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps PAL mode: 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps |
| Movie Function | |
| Audio Level Display | Yes |
| PAL/NTSC Selector | Yes |
| TC/UB | Yes |
| Gamma Disp. Assist | Yes |
| Audio Rec Level | Yes |
| Proxy Recording | Yes (1280 x 720 (Approx. 9Mbps)) |
| Auto Slow Shutter | Yes |
| Raw Output | - |
| Recording System | |
| Location Information Link From Smartphone | Yes |
| Memory Card Slot | Slot for SD (UHS-I/II compliant) memory card |
| File System | FAT12, 16, 32, exFAT |
| Media | SD memory card SDHC memory card (UHS-I/II compliant) SDXC memory card (UHS-I/II compliant) |
| Recording Mode On 2 Memory Cards | - |
| Noise Reduction | Long exposure NR: On/Off, available at shutter speeds longer than 1 sec. High ISO NR: Normal / Low / Off |
| White Balance | |
| Modes | Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom |
| Shutter AWB Lock | Yes (Shut. Halfway Down / Cont. Shooting / Off) |
| Focus System | |
| Type | Fast Hybrid AF (phase-detection AF / contrast-detection AF) |
| Focus Point | 35mm full frame: 693 points (phase-detection AF), APS-C mode with FF lens: 299 points (phase-detection AF), with APS-C lens: 221 points (phase-detection AF) / 425 points (contrast-detection AF) |
| AF Mode | AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus |
| Eye-Start AF | Yes (only with LA-EA2 or LA-EA4 attached (Sold separately)) |
| Other Features | Predictive control Focus lock AF Track Sens. (Still) AF Subj. Shift Sensitivity (Movie) AF Transition Speed (Movie) Switch V/H AF Area AF Area Regist. Circ. of Focus Point |
| AF Illuminator Range | Approx. 0.3m - approx. 3.0m (with FE 28-70mm F3.5-5.6 OSS lens attached) |
| Focus Sensor | Exmor R CMOS sensor |
| Sensitivity Range | EV-4 to EV20 (ISO100 equivalent with F2.0 lens attached) |
| Focus Area | Wide / Zone / Center / Flexible Spot / Expanded Flexible Spot / Tracking |
| Eye AF | [Still images] Human (Right/Left Eye Select) / Animal, [Movie] Human (Right/Left Eye Select) |
| AF Illuminator | Yes (with Built-in LED type) |
| AF Micro Adjustment | Yes, (Sold separately) with LA-EA2 or LA-EA4 |
| Exposure Control | |
| Metering Type | 1200-zone evaluative metering |
| Metering Sensitivity | EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached) |
| Exposure Modes | AUTO (iAuto) Programmed AE (P) Aperture priority (A) Shutter-speed priority (S) Manual (M) Movie (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M)) Slow & Quick Motion (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M)) |
| Exposure Compensation | +/- 5.0EV (1/3 EV, 1/2 EV steps selectable) (with exposure compensation dial: +/- 3EV (1/3 EV steps)) |
| AE Lock | Locked when shutter button is pressed halfway. (On/Off/Auto) |
| Anti-Flicker Shoot. | Yes |
| Metering Sensor | Exmor R CMOS sensor |
| Modes | Multi-segment Center-weighted Spot (Standard / Large) Entire Screen Avg. Highlight |
| Bracketing | Bracket: Cont., Bracket: Single, 3/5/9 frames selectable. (Ambient light, Flash light) |
| ISO Sensitivity (Recommended Exposure Index) | Still images: ISO 100-51200 (ISO numbers up from ISO 50 to ISO 204800 can be set as expanded ISO range.), AUTO (ISO 100-12800, selectable lower limit and upper limit) Movies: ISO 100-51200 equivalent(ISO numbers up ISO 102400 can be set as expanded ISO range.), AUTO (ISO 100-12800, selectable lower limit and upper limit) |
| Anti-Flicker Shoot. | Yes |
| Viewfinder | |
| Type | 1.0 cm (0.39 type) electronic viewfinder (XGA OLED) |
| Number Of Dots | 2 359 296 dots |
| Control Function | Brightness, Color temperature |
| Field Coverage | 100% |
| Magnification | Approx. 0.59x (with 50mm lens at infinity, -1m-1) |
| Diopter Adjustment | -4.0 to +3.0m-1 |
| Eye Point | Approx. 20mm from the eyepiece lens, 17.5mm from the eyepiece frame at -1m-1 (CIPA standard) |
| Display Function | Histogram, Real-time image-adjustment display, Digital level gauge, Grid line, Focus check, Peaking MF, Zebra, Movie marker |
| Finder Frame Rate Selection | NTSC mode: STD 60fps / HI 120fps, PAL mode: STD 50fps / HI 100fps |
| LCD Screen | |
| Type | 7.5cm (3.0-type) type TFT |
| Touch Panel | Yes (Touch shutter / Touch focus / Touch pad / Touch tracking) |
| Number Of Dots (Total) | 921,600 dots |
| Brightness Control | Manual (5 steps between -2 and +2), Sunny Weather mode |
| Display Function | Histogram, Real-time image-adjustment display, Digital level gauge, Grid line, Focus check, Peaking MF, Zebra, Movie marker, For viewfinder, Monitor Off |
| Adjstable Angle | Opening Angle: Approx. 176 °, Rotation Angle: Approx. 270 ° |
| Focus Check | Yes, Focus Magnifier (35mm full frame: 5.9x / 11.7x, APS-C: 3.8x / 7.7x) |
| Face Detection | |
| Modes | Face Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority |
| Clear Image Zoom | |
| Still Images | Approx. 2x |
| Movies | Approx. 1.5x (4K), Approx. 2x (HD) |
| Digital Zoom | |
| Smart Zoom (Still Images) | 35mm full frame: M: approx. 1.5x, S: approx. 2x / APS-C: M: approx. 1.3x, S: approx. 2x |
| Digital Zoom (Still Images) | 35mm full frame: L: approx. 4x, M: approx. 6.1x, S: approx. 8x / APS-C: L: approx. 4x, M: approx. 5.2x, S: approx. 8x |
| Digital Zoom (Movies) | 35mm full frame: approx. 4x, APS-C: approx. 4x |
| Shutter | |
| Type | Electronically-controlled, vertical-traverse, focal-plane type |
| Shutter Speed | Still images (Mechanical Shutter): 1/4000 to 30 sec., Bulb, Still images (Electronic Shutter): 1/8000 to 30 sec., Movies (NTSC mode) : 1/4000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode), Movies (PAL mode) : 1/4000 to 1/4 (1/3 steps), up to 1/50 in AUTO mode (up to 1/25 in Auto slow shutter mode) |
| Electronic Front Curtain Shutter | Yes |
| Shutter Type | Mechanical shutter / Electronic shutter |
| Flash Sync. Speed | 1/160 sec. |
| Silent Shooting | Yes (ON/OFF) |
| SteadyShot INSIDE (image stabilization) | |
| Type | Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications) |
| Compensation Effect | 5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50mm F1.4 ZA lens mounted. Long exposure NR off.) |
| Mode | On / Off |
| Flash | |
| Type | - |
| Guide No. | - |
| Control | Pre-flash TTL |
| Flash Compensation | +/- 3.0 EV (switchable between 1/3 and 1/2 EV steps) |
| Flash Modes | Flash off Autoflash Fill-flash Slow Sync. Rear Sync. Red-eye reduction (on/off selectable) Wireless Hi-speed sync. |
| FE Level Lock | Yes |
| External Flash Compatibility | Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe |
| Wireless Control | Yes (Light signal: Available with Fill-flash, Slow Sync., Hi-speed sync. / Radio signal: Available with Fill-flash, Rear Sync., Slow Sync., Hi-speed sync.) |
| Drive | |
| Drive Modes | Single Shooting Continuous shooting (Hi+/Hi/Mid/Lo selectable) Self-timer Self-timer (Cont.) Bracket: Single Bracket: Cont. White Balance bracket DRO bracket |
| No. Frame Recordable* (Approx.) | JPEG Extra fine L: over 215 frames JPEG Fine L: over 223 frames JPEG Standard L: over 223 frames RAW: over 115 frames RAW & JPG: over 86 frames RAW (Uncompressed): over 45 frames RAW (Uncompressed) & JPG: over 39 frames |
| Self Timer | 10 sec. delay / 5 sec. delay / 2 sec. delay / Continuous self-time / Bracketing self-timer |
| Speed (Approx., Max.) | Continuous shooting: Hi+: 10 fps, Hi: 8 fps, Mid: 6 fps, Lo: 3 fps |
| Playback | |
| Modes | Single (with or without shooting information Y RGB histogram & highlight / shadow warning) Index view Enlarged display mode (L: 18.8x, M: 12.3x, S: 9.4x) Auto Review Image orientation Slideshow Folder selection (Date / Still / XAVC S HD / XAVC S 4K) Protect Rating Display as Group |
| Photo Capture | Yes |
| Accessability | |
| Functions | Screen Reader, Focus Magnifier, Focus Map (Movie), Peaking Display, Subject Recognition in AF ,Touch Focus, Touch Tracking, Touch Shutter, Touch AE, Vari-angle LCD screen, Custom function, Enlarge Menu Screen |
| Interface | |
| PC Interface | Mass-storage, MTP |
| Multi/Micro USB Terminal | - |
| USB Type-C® Terminal | Yes (SuperSpeed USB 5Gbps (USB 3.2) compatible) |
| NFC | Yes (NFC forum Type 3 Tag compatible) |
| Sync. Terminal | - |
| Wirelass LAN (Built-In) | Yes (Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac (2.4GHz band/5GHz band)) |
| Bluetooth | Yes (Bluetooth Standard Ver. 4.1 (2.4GHz band)) |
| HDMI Connector | HDMI micro connector (Type-D) 3840 x 2160 (30p / 25p / 24p) / 1920 x 1080 (60p / 50p / 24p) / 1920 x 1080 (60i / 50i), YCbCr 4:2:2 8bit / RGB 8bit |
| Mutli Interface Shoe | Yes (with Digital Audio Interface) |
| Headphone Terminal | Yes (3.5 mm Stereo minijack) |
| Remote Control (Wireless) | Yes (Bluetooth remote control) |
| Functions | FTP Transfer Func. (Wi-Fi) View on Smartphone Remote control via Smartphone NFC One-touch remote NFC One-touch sharing PC Remote BRAVIA Sync (Control for HDMI) PhotoTV HD |
| Audio | |
| Microphone | Built-in, stereo |
| Speaker | Built-in, monaural |
| Compatible Standards | Exif Print, Print Image Matching III, DPOF setting |
| Custom Function | |
| Custom Key Settings | Yes |
| My Dial Settings | Yes |
| Programmable Setting | Yes (Body 3 sets /memory card 4 sets) |
| My Menu | Yes |
| Reg Cust Shoot Set | Yes |
| Lens Compensation | |
| Lens Compensation | Peripheral Shading, Chromatic Aberration, Distortion |
| Power | |
| Battery | One rechargeable battery pack NP-FZ100 |
| Still Images | Approx. 680 shots (Viewfinder) / approx. 740 shots (LCD monitor) (CIPA standard) |
| Movies (Actual Recording) | Approx. 140 min. (Viewfinder) / Approx. 140 min. (LCD monitor) (CIPA standard) |
| Movies (Continous Recording) | Approx. 220 min. (Viewfinder) / Approx. 215 min. (LCD monitor) (CIPA standard) |
| Internal Battery Charge | Yes |
| USB Power Supply | Yes |
| Power Consumption | |
| With Viewfinder | Still images: approx. 2.9W (with FE 28-60mm F4-5.6 OSS lens attached), Movies: approx. 4.5W (with FE 28-60mm F4-5.6 OSS lens attached) |
| With LCD Screen | Still images: approx. 2.7W (with FE 28-60mm F4-5.6 OSS lens attached), Movies: approx. 4.6W (with FE 28-60mm F4-5.6 OSS lens attached) |
| Weight | |
| With Battery And Memory Card Included | Approx. 509 g / Approx. 1 lb 2.0 oz |
| Body Only | Approx. 424 g / Approx. 0 lb 15.0 oz |
| Dimensions | |
| Dimensions (W x H x D) | Approx. 124.0mm x 71.1mm x 59.7mm, Approx. 124.0mm x 71.1mm x 53.5mm (FROM GRIP TO MONITOR) |
| Inches. Dimensions (W x H x D) | Approx. 5 x 2 7/8 x 2 3/8 inches, Approx. 5 x 2 7/8 x 2 1/8 inches (FROM GRIP TO MONITOR) |
| Operating Temperature | |
| Operating Temperature | 32 - 104 degrees F / 0 - 40 degrees C |
