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Sony ILCE-7CR Front View No Lens Attached

Sony ILCE-7CR Alpha 7CR – Full-frame Interchangeable Lens Hybrid Camera With SDK

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Sony ILCE-7M4 Alpha 7 IV Full-frame Interchangeable Lens Camera With SDK

Sony ILCE-7SM3 Alpha 7S III Full-frame Interchangeable Lens Camera With SDK

Experience the future of photography and videography with the α7S III. Unleash the power of its 12.1MP sensor, high-speed processing, and groundbreaking features like 4K at 120fps and 16-bit RAW output. Elevate your creativity and capture moments like never before with Sony's cutting-edge technology.
SKU
ILCE-7SM3

Sony α7S III: Redefining Imaging Excellence with 4K at 120fps and 16-bit RAW Output

New image sensor with double the readout speed

CMOS sensor, with 12.1 effective megapixels, boasts a readout speed up to twice as fast as that of the α7S II, along with high sensitivity and wide dynamic range. An advanced color filter array boosts color reproduction accuracy, while focal plane phase-detection AF enables substantial increases in autofocus stability and precision, all of which contribute to outstanding image quality.

New image-processing engine with up to 8x the processing performance

The BIONZ XRTM  image-processing engine boasts a performance level up to eight times that of the previous processor, minimizing latency while markedly improving real-time processing capabilities for both movies and stills. The engine performs real-time processing of AF, image recognition and image-quality adjustments, while also handling data transfer, user interface and other camera operations.

High sensitivity, wide dynamic range

The full-frame 12.1-megapixel configuration enables high sensitivity with low noise throughout the camera's sensitivity range by optimizing the output signal from the sensor. The standard ISO range is 80-102400, which is further expandable to 40-409600 (80-409600 for movies). The dynamic range is an impressively wide 15 stops, for beautiful, true-to-life images without blown highlights. Together, the camera's high sensitivity and wide dynamic range expand your creative freedom during shoots.

Full-frame 4K recording at 120p

Full-frame 4K recording at 120fps with autofocus is possible thanks to the high-speed readout capabilities of the new image sensor working in tandem with the newly developed, powerful BIONZ XR processor. This high image-quality 4K, with full-pixel readout without binning, allows for clear post-produced slow motion (up to x5 slower than real time), as well as bokeh effects typical of full-frame cameras, all with smooth, high-precision autofocus. Despite the α7S III's compact size, it provides impressive scope for your creativity.

Recording movies with 10-bit depth and 4:2:2 color sampling

The camera is capable of performing 4K internal recording with 10-bit depth and 4:2:2 color sampling when using either Long GOP or All Intra compression. This makes it possible to push your color grades further, stretching video out for ultimate HDR realism while still retaining natural gradation, for true editing freedom.

All-Intra internal recording

In addition to Long GOP inter-frame compression, the α7S III supports internal intra-frame (All-Intra) recording for the first time in an α-model body, where each frame is recorded independently at a high bitrate of up to 600Mbps. This can be useful for certain types of shoots as it allows maximum flexibility in post-production editing. 

HEVC codec with high compression efficiency

Available for the first time, XAVC HS format recording using the MPEG-H HEVC/H.265 codec roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 color sampling at comparable or lower data rates, delivering even better image quality as well as manageable file sizes.

16-bit RAW data output

Facilitating improved image quality and more flexible and efficient editing in post-production, the camera supports 16-bit RAW data output to an external recorder via HDMI, for the first time in the α series. The output is full-frame 4264 x 2408 (16:9 aspect ratio) 16-bit data from the image sensor, with a choice of 59.94p/50p/29.97p/25p/23.98p frame rates and color spaces.

S-Log2 and S-Log3 with 10-bit 4:2:2 support

S-Log2 and S-Log3 gamma curves are available, with S-Log3 designed for better reproduction of gradations from shadows to the mid-grey range (18% grey), enabling a dynamic range of up to 15 stops. Three color gamut settings (S-Gamut, S-Gamut3, and S-Gamut3.Cine) are provided, and the latter two settings make it easier to match the colors of footage shot with Sony's professional cinema cameras. Because the colors match, color grading is easier in post-production editing, making it more convenient to use the α7S III along with other pro cameras.

Proxy recording for more efficient editing workflow

When shooting movies, low bit-rate HD proxy files can be recorded simultaneously with higher bit-rate formats such as XAVC S-I 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files can be captured in either 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720).

10-bit HLG picture profile

An HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 color space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout and less whiteout, all without the need for color grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism. 

Enhanced movie image quality

Thanks to the improved capabilities of the α7S III’s new image-processing engine, colors and textures of foliage and human skin can be more consistently reproduced without over-dependence on light sources. Gradation rendering has also been refined, for better-looking skin tones and highlight roll-off in portraits. When shooting 4K, the new image sensor and processing engine reduce rolling shutter distortion to as little as one-third that of the α7S II.

Fast Hybrid AF for dependable focus during movie shooting

Inheriting technology and performance standards from Sony’s large-format FX9 pro camcorder, Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field, taking full advantage of Sony E-mount lenses’ smooth linear-motor focusing and power-zoom operations. Newly added AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as requested by professional users. Both allow preset settings to be recalled during recording by using a customizable button.

AF support in manual-focus mode

The camera’s autofocus support can be useful even when you’re primarily using manual focus. For full AF speed, half-press the shutter button or press the AF-ON button, as you would when shooting stills. Alternatively, slower, more cinematic AF transitions can be achieved by initiating AF via the touch focus feature or Real-time Eye AF via a custom button assignment, resulting in slow, smooth autofocus at the preset AF Transition Speed.

Game-changing tracking features to revolutionize movie shooting

Real-time Tracking and Real-time Eye AF make movie-making much easier. Touch Tracking initiates subject tracking with an intuitive touch to the LCD monitor, processing data on color, pattern (brightness), distance (depth) and facial information to keep your subject in steady focus. You can then concentrate more fully on composition, which can be especially useful when you're shooting solo or using a gimbal. Touch operations can be used to temporarily engage AF even when you’re shooting manually.

Active Mode optical image stabilization for handheld shooting

Relying on a new high-precision stabilization unit, gyro sensors, and optimized image stabilization algorithms, the camera's Optical SteadyShotTM Active Mode provides the precise degree of optical image compensation needed during movie shooting, even for 4K video. With this unprecedented level of stabilization it's possible to shoot with the camera only, taking advantage of the compact size and mobility of the α system.

Enhanced audio quality

A digital audio interface is incorporated in the camera’s Multi Interface (MI) Shoe, to facilitate cleaner, clearer audio recordings without loss of quality. The XLR-K3M XLR Adaptor Kit additionally provides the camera with 4-channel 24-bit digital audio recording capability. Three recording formats can be selected from a menu: 48 kHz/16-bit 2-ch, 48 kHz/24-bit 2-ch, and 48 kHz/24-bit 4-ch, with the XLR-K3M XLR Adaptor Kit required for the latter two formats.

New heat-dissipation design for extended recording times

The camera's design has been optimized to prevent overheating even during extended recording sessions. A unique Sony Σ (sigma) shaped graphite-alloy heatsink is built into the image stabilization unit, allowing the sensor to dissipate heat five times more effectively than in previous models, while allowing it to move freely and avoiding interference with the stabilization system.

Designed for smooth movie-making

Flexibility in positioning the camera and framing shots is provided by the side-opening, vari-angle monitor, which incorporates a bright 3.0-type, 1.44 million-dot LCD screen. The MOVIE button is within easy reach on the camera's top panel, and a durable HDMI Type-A terminal ensures reliable connections to external monitors. The item arrangement and initial settings on the mode dial have also been adjusted to meet the needs of pro users.

Dedicated settings menu for movie shooting

A subset of the camera's settings can be changed independently for movie or still shooting, which can be useful if you want to use different ISO, Iris (aperture) and other settings depending on the shooting mode. Another convenient feature is the use of Flexible Exposure Mode instead of normal PASM Mode when Movie or S&Q mode is selected. This allows quick switching between auto and manual control of Iris (aperture) and shutter speed, and the function can be assigned to a custom button to allow one-touch toggling between auto and manual.

Fast Hybrid AF for still shots

The Fast Hybrid AF uses a high-density array of 759 phase-detection AF points (covering around 93% of the imaging area) in conjunction with 425-point contrast-detection AF. Real-time Eye AF (for humans and animals) and Real-time Tracking features are also available for the first time in the S series. Advanced AF algorithms facilitate precise AF down to light levels as low as EV-6, for accurate focus even when the subject would be difficult to see clearly with the naked eye. 

High-speed continuous shooting performance

Mechanical and electronic shutters are each capable of continuous shooting at up to 10fps with AF/AE. Continuous shooting of over 1000 uncompressed RAW images is possible thanks to increases in the buffer memory of the BIONZ XR processor and memory-card writing speed.

Enhanced image quality for stills

The new image sensor and image-processing engine deliver an extraordinary degree of sensitivity, a defining characteristic of the S series, and significantly better reproduction of color and textural details. Improved rendering capability provides realistic-looking images with reduced noise, particularly in the mid-to-high sensitivity range. A new Visible Light and IR Sensor improves auto white balance, and HEIF file options and an HLG Still Image Mode (for 8-bit and 10-bit HEIF stills) have been added.

Creative Look feature to set the mood and atmosphere

The new Creative Look feature is a quick way to establish a particular mood in still shots and movies by altering parameters like brightness, contrast and color saturation. Ten Creative Look presets are available in-camera, and each of these can be used as-is, or further customized using eight individual parameter settings. Custom Creative Look settings can be easily saved and stored for later use.

Two CFexpress Type A-compatible media slots

The camera’s two media slots are compatible with new CFexpress Type A cards as well as SDXC/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write/read speeds suitable for both high-speed continuous still shooting and 4K movie recording at high bit rates. They are capable of quickly clearing camera buffers even when high volumes of still image and movie data are being generated.

High-definition 9.44 million-dot electronic viewfinder

Boasting the highest resolution in its class, the α7S III's viewfinder rivals the resolution of the human eye. It provides category-leading 0.90x viewfinder magnification, a 41º diagonal field of view, and a 25mm high eyepoint for clear, low-distortion viewing. Improvements in sealing greatly reduce the chance that even drastic ambient temperature fluctuations will cause interior condensation.

New touch-driven menu with workflow-based navigation

Responding to requests from pro photographers and videographers, the menu structure has been designed to allow professionals to work more efficiently. Menu tabs are on the left side of the display, while parameter groups and parameters related to the selected tab appear on the right. Up to three levels can be displayed together, making the menu structure more clearly visible. Touch-responsive menu operations enable fast, intuitive control.

Reliable, durable construction

To maximize dust and moisture resistance, additional sealing has been applied to all body seams and to the battery compartment cover, and the media slot cover has been redesigned to handle harsh outdoor environments. A filter in front of the image sensor oscillates at an ultrasonic frequency of 70,000 cycles per second to remove dust from the sensor surface. The camera chassis is highly durable thanks to full magnesium-alloy construction.

USB Power Delivery

The camera supports USB PD (Power Delivery), to enable continuous shooting for extended periods without draining the internal battery. PD-compatible USB chargers and mobile batteries can be connected to the camera's USB Type C® port, to supply power or to recharge the internal battery at 3 to 4 times the rate of conventional power supplies.

External flash control from the camera body

It is now possible to configure the settings of a compatible attached flash or Wireless Radio Commander (both sold separately) from the camera. Most settings, including light output, can be accessed and easily changed directly from a camera menu, for high-performance flash control with these genuine Sony accessories. Flash parameters are shown in the selected camera display language.

S-Cinetone™ from high-end cinema camera color science

The inclusion of Sony’s acclaimed S-Cinetone look, inherited from the development of the Cinema Line FX9 and CineAlta cameras such as VENICE, allows cinematic color to be achieved directly in-camera. S-Cinetone is optimized for natural skin tones and mid-range colors, with gentle highlight roll-off, for impressive subject depiction without grading at post production as a workflow.

Works with iMovie and Final Cut Pro X

This product is compatible with Final Cut Pro X and iMovie.

General
Camera Type Interchangeable lens digital camera
Lens Mount  E-mount
Image Sensor
Type 35mm full frame (35.6 x 23.8 mm), Exmor R CMOS sensor
Number Of Pixels (Effective) Approx. 12.1 megapixels
Number Of Pixels (Total) Approx. 12.9 megapixels
Image Sensor Aspect Ratio 3:2
Color Filter R, G, B primary color
Anti-Dust System Yes (Charge protection coating on Optical Filter and ultrasonic vibration mechanism)
Recording System (Still Image)
Recording Format JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)
Image Size (Pixels) [4:3] 35mm full frame L: 3776 x 2832 (11M), M: 2464 x 1848 (4.6M), S: 1888 x 1416 (2.7M) APS-C L: 2464 x 1848 (4.6M), M: 1888 x 1416 (2.7M), S: 1232 x 920 (1.1M)
Image Size (Pixels) [16:9] 35mm full frame L: 4240 x 2384 (10M), M: 2768 x 1560 (4.3M), S: 2128 x 1200 (2.6M) APS-C L: 2768 x 1560 (4.3M), M: 2128 x 1200 (2.6M), S: 1376 x 776 (1.1M)
Image Size (Pixels) [3:2] 35mm full frame L: 4240 x 2832 (12M), M: 2768 x 1848 (5.1M), S: 2128 x 1416 (3.0M) APS-C L: 2768 x 1848 (5.1M), M: 2128 x 1416 (3.0M), S: 1376 x 920 (1.3M)
Image Size (Pixels) [1:1] 35mm full frame L: 2832 x 2832 (8M), M: 1840 x 1840 (3.4M), S: 1408 x 1408 (2.0M) APS-C L: 1840 x 1840 (3.4M), M: 1408 x 1408 (2.0M), S: 912 x 912 (0.8M)
Image Quality Modes RAW (Compressed / Uncompressed)
JPEG (Extra fine / Fine / Standard)
HEIF (4:2:0 / 4:2:2) (Extra fine / Fine / Standard)
RAW & JPEG
RAW & HEIF
Creative Look ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)
Dynamic Range Functions Off, Dynamic Range Optimizer
14BIT RAW Yes
Picture Profile Yes (Off / PP1-PP11) Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset
Color Space sRGB standard (with sYCC gamut), Adobe RGB standard and Rec. ITU-R BT.2100 standard (BT.2020 gamut).
Recording System (Movie)
Video Compression XAVC S: MPEG-4 AVC/H.264, XAVC HS: MPEG-H HEVC/H.265
Audio Recording Format LPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24 bit), LPCM 4ch (48 kHz 24 bit)
Creative Look ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)
Color Space Rec. ITU-R BT.2100 standard compatible (BT.2020 gamut)
Picture Profile Yes (Off / PP1-PP11) Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset
Movie Recording Format (XAVC HS 4K)
3840 x 2160 (4:2:0, 10bit, NTSC) (Approx.) 120p (200Mbps)
100p (200Mbps)
120p (280Mbps)
3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.) 50p (150Mbps / 75Mbps / 45Mbps)
60p (200Mbps / 100Mbps)
50p (200Mbps / 100Mbps)
3840 x 2160 (4:2:0, 10bit, PAL) (Approx.) 100p (280Mbps)
60p (150Mbps / 75Mbps / 45Mbps)
3840 x 2160 (4:2:2, 10bit, PAL) (Approx.) 24p (100Mbps / 50Mbps / 30Mbps)
24p (100Mbps / 50Mbps)
Movie Recording Format (XAVC S 4K)
3840 x 2160 (4:2:0, 8bit, NTSC) (Approx.) 120p (200Mbps)
60p (150Mbps)
30p (100Mbps / 60Mbps)
24p (100Mbps / 60Mbps)
3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.) 120p (280Mbps)
60p (200Mbps)
30p (140Mbps)
24p (100Mbps)
3840 x 2160 (4:2:0, 8bit, PAL) (Approx.) 100p (200Mbps)
50p (150Mbps)
25p (100Mbps / 60Mbps)
3840 x 2160 (4:2:2, 10bit, PAL) (Approx.) 100p (280Mbps)
50p (200Mbps)
25p (140Mbps)
Movie Recording Format (XAVC S HD)  
1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.) 120p (100Mbps / 60Mbps)
100p (100Mbps / 60Mbps)
60p (50Mbps)
1920 x 1080 (4:2:0, 8bit, NTSC) (Approx.) 50p (50Mbps / 25Mbps)
1920 x 1080 (4:2:0, 8bit, NTSC) (Approx.) 25p (50Mbps)
1920 x 1080 (4:2:0, 8bit, NTSC) (Approx.) 25p (50Mbps / 16Mbps)
1920 x 1080 (4:2:0, 8bit, NTSC) (Approx.) 24p (50Mbps)
1920 x 1080 (4:2:2, 10bit, PAL) (Approx.) 50p (50Mbps)
60p (50Mbps / 25Mbps)
1920 x 1080 (4:2:0, 8bit, PAL) (Approx.) 30p (50Mbps)
1920 x 1080 (4:2:0, 8bit, PAL) (Approx.) 30p (50Mbps / 16Mbps)
1920 x 1080 (4:2:0, 8bit, PAL) (Approx.) 24p (50Mbps)
Movie Recording Format (XAVC S-I 4K)
3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.) 60p (600Mbps)
50p (500Mbps)
30p (300Mbps)
3840 x 2160 (4:2:2, 10bit, PAL) (Approx.) 25p (250Mbps)
24p (240Mbps)
Movie Recording Format (XAVC S-I HD)
1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.) 60p (222Mbps)
50p (185Mbps)
30p (111Mbps)
1920 x 1080 (4:2:2, 10bit, PAL) (Approx.) 25p (93Mbps)
24p (89Mbps)
Slow & Quick Motion 
Image Frame Rate NTSC mode: 1fps,2fps,4fps,8fps,15fps,30fps,60fps,120fps, 240fpsPAL mode: 1fps,2fps,3fps,6fps,12fps,25fps,50fps,100fps, 200fps
Movie Function
Audio Level Display Yes 
PAL/NTSC Selector Yes
TC/UB Yes
Gamma Disp. Assist Yes
Audio Rec Level Yes
Proxy Recording Yes (1280 x 720 (Approx. 6Mbps), 1920 x 1080(Approx. 9Mbps), 1920 x 1080(Approx. 16Mbps))
Auto Slow Shutter Yes
Raw Output Yes (HDMI)
Recording System
Location Information Link From Smartphone Yes
Memory Card Slot SLOT1: Multi slot for SD (UHS-I/II compliant) memory card / CFexpress Type A card, SLOT2: Multi slot for SD (UHS-I/II compliant) memory card / CFexpress Type A card
File System FAT12, 16, 32, exFAT
Media SD memory card
SDHC memory card (UHS-I/II compliant)
SDXC memory card (UHS-I/II compliant)
CFexpress Type A memory card
Recording Mode On 2 Memory Cards Simult. Rec, Sort, Auto Switch Media, Copy
Noise Reduction Long exposure NR: On/Off, available at shutter speeds longer than 1 sec.
High ISO NR: Normal / Low / Off
White Balance
Modes Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom
Shutter AWB Lock Yes (Shut. Halfway Down / Cont. Shooting / Off)
Focus System
Type Fast Hybrid AF (phase-detection AF / contrast-detection AF)
Focus Sensor Exmor R CMOS sensor
Focus Point 35mm full frame: 759 points (phase-detection AF), APS-C mode with FF lens: 345 points (phase-detection AF), with APS-C lens: 285 points (phase-detection AF) / 425 points (contrast-detection AF)
Sensitivity Range EV-6 to EV20 (ISO100 equivalent with F2.0 lens attached)
AF Mode AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus
Focus Area Wide / Zone / Center / Flexible Spot / Expanded Flexible Spot / Tracking
Eye AF [Still images] Human (Right/Left Eye Select) / Animal, [Movie] Human (Right/Left Eye Select)
AF Illuminator Yes (with Built-in LED type)
Other Features Predictive control
Focus lock
AF Track Sens. (Still)
AF Subj. Shift Sensitivity (Movie)
AF Transition Speed (Movie)
Switch V/H AF Area
AF Area Regist.
Circ. of Focus Point
AF Illuminator Range Approx. 0.3m - approx. 3.0m (with FE 28-70mm F3.5-5.6 OSS lens attached)
Exposure Control
Metering Type 1200-zone evaluative metering
Metering Sensitivity EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)
Exposure Modes AUTO (iAuto)
Programmed AE (P)
Aperture priority (A)
Shutter-speed priority (S)
Manual (M)
Movie (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode)
Slow & Quick Motion (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode)
Exposure Compensation +/- 5.0EV(1/3 EV, 1/2 EV steps selectable) (with exposure compensation dial: +/- 3EV (1/3 EV steps))
AE Lock Locked when shutter button is pressed halfway. Available with AE lock button. (On/Off/Auto)
Anti-Flicker Shoot Yes
Metering Sensor Exmor R CMOS sensor
Modes Multi-segment
Center-weighted
Spot (Standard / Large)
Spot
Entire Screen Avg.
Highlight
Bracketing Bracket: Cont., Bracket: Single, 3/5/9 frames selectable. (Ambient light, Flash light)
ISO Sensitivity (Recommended Exposure Index) Still images: ISO 80-102400 (ISO numbers up from ISO 40 to ISO 409600 can be set as expanded ISO range.), AUTO (ISO 80-12800, selectable lower limit and upper limit), Movies: ISO 80-102400 equivalent (ISO numbers up to ISO 409600 can be set as expanded ISO range.), AUTO (ISO 80-12800, selectable lower limit and upper limit)
Viewfinder
Type 1.6 cm (0.64 type) electronic viewfinder (Quad-XGA OLED)
Number Of Dots 9,437,184 dots
Control Function Brightness, Color temperature, Magnifi
Field Coverage 100%
Magnification Approx. 0.90x (with 50mm lens at infinity, -1m-1)
Diopter Adjustment -4.0 to +3.0m-1
Eye Point Approx. 25mm from the eyepiece lens, 21mm from the eyepiece frame at -1m-1 (CIPA standard)
Display Function Histogram, Real-time image-adjustment display, Digital level gauge, Grid line, Focus check, Peaking MF, Zebra, Movie marker, Emphasezed display during REC
Finder Frame Rate Selection NTSC mode: STD 60fps / HI 120fps, PAL mode: STD 50fps / HI 100fps
LCD Screen
Type 7.5cm (3.0-type) type TFT
Touch Panel Yes
Number Of Dots (Total) 1,440,000 dots
Brightness Control Manual (5 steps between -2 and +2), Sunny Weather mode
Display Function Histogram, Real-time image-adjustment display, Digital level gauge, Grid line, Focus check, Peaking MF, Zebra, Movie marker, For viewfinder, Monitor Off, Emphasezed display during REC
Adjstable Angle Opening Angle: Approx. 176 °, Rotation Angle: Approx. 270°
Focus Check Yes, Focus Magnifier (35mm full frame: 2.1x / 4.1x, APS-C: 1.5x / 3.0x)
Face Detection
Modes Face Priority inAF, Face Priority in Multi Metering, Regist. Faces Priority
Clear Image Zoom
Still Images Approx. 2x
Movies Approx. 1.5x (4K), Approx. 2x (HD)
Digital Zoom
Smart Zoom (Still Images) 35mm full frame: M: approx. 1.5x, S: approx. 2x APS-C: M:approx. 1.3x, S: approx. 2x
Digital Zoom (Still Images) 35mm full frame: L: approx. 4x, M: approx. 6.1x, S: approx. 8x APS-C: L: approx. 4x, M:approx. 5.2x, S: approx. 8x
Digital Zoom (Movies) 35mm full frame: approx. 4x APS-C: approx. 4x
Shutter
Type Electronically-controlled, vertical-traverse, focal-plane type
Shutter Speed Still images: 1/8000 to 30 sec, Bulb, Movies: 1/8000 to 1/4 (1/3 steps), up to 1/50 in AUTO mode (up to 1/25 in Auto slow shutter mode)
Electronic Front Shutter Curtain Yes (ON/OFF)
Shutter Type Mechanical shutter / Electronic shutter
Flash Sync. Speed 1/250 sec.
Silent Shooting Yes (ON/OFF)
SteadyShot INSIDE (image stabilization)
Type Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)
Compensation Effect 5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50mm F1.4 ZA lens mounted. Long exposure NR off.)
Mode [Still images] On / Off, [Movie] Active / Standard / Off
Flash
Type -
Flash Coverage -
Flash Compensation +/- 3.0 EV (switchable between 1/3 and 1/2 EV steps)
Recycling Time -
FE Level Lock Yes
Guide No. -
Control Pre-flash TTL
Flash Modes Flash off
Autoflash
Fill-flash
Slow Sync.
Rear Sync.
Red-eye reduction (on/off selectable)
Wireless
Hi-speed sync.
External Flash Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe
Wireless Control Yes (Light signal: Available with Fill-flash, Slow Sync., Hi-speed sync. / Radio signal: Available with Fill-flash, Rear Sync., Slow Sync., Hi-speed sync.)
Drive
Drive Modes Single Shooting
Continuous shooting (Hi+/Hi/Mid/Lo selectable)
Self-timer
Self-timer (Cont.)
Bracket: Single
Bracket: Cont.
White Balance bracket
DRO bracket
Pixel Shift Multi Shooting -
No. Of Frame Recordable* (Approx.) JPEG Extra fine L: over 1000 frames
JPEG Fine L: over 1000 frames
JPEG Standard L: over 1000 frames
RAW: over 1000 frames
RAW & JPG: over 1000 frames
RAW (Uncompressed): over 1000 frames
RAW (Uncompressed) & JPG: over 1000 frames
Self Timer 10 sec. delay / 5 sec. delay / 2 sec. delay / Continuous self-time / Bracketing self-timer
Speed (Approx., Max.) Continuous shooting: Hi+: 10 fps, Hi: 8 fps, Mid: 6 fps, Lo: 3 fps
Playback
Modes Single (with or without shooting information Y RGB histogram & highlight / shadow warning)
Index view
Enlarged display mode (L: 10.6x, M: 6.92x, S: 5.32x)
Auto Review
Image orientation
Folder selection (Date / Still / Movie)
Protect
Rating
Display as Group
Photo Capture Yes
Interface
PC Interface Mass-storage, MTP
Multi/Micro USB Terminal Yes
USB Type-C® Terminal Yes (SuperSpeed USB 5Gbps (USB 3.2) compatible)
NFC Yes (NFC forum Type 3 Tag compatible)
Sync. Terminal -
Wirelass LAN (Built-In) Yes (Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac (2.4GHz band/5GHz band))
Bluetooth Yes (Bluetooth Standard Ver. 5.0 (2.4GHz band))
HDMI Connector HDMI connector (Type-A)
3840 x 2160 (60p / 50p / 30p / 25p / 24p) / 1920 x 1080 (60p / 50p / 24p) / 1920 x 1080 (60i / 50i), YCbCr 4:2:2 10bit / RGB 8bit
4264 x 2408 (60p / 50p / 30p / 25p / 24p), Raw 16bit
Mutli Interface Shoe Yes (with Digital Audio Interface)
Headphone Terminal Yes (3.5 mm Stereo minijack)
Remote Control (Wireless) Yes (IR remote control / Bluetooth remote control)
Mic Terminal Yes (3.5 mm Stereo minijack)
Vertical Grip Connector Yes
Functions FTP Transfer Func.(Wired LAN(USB-LAN), USB Tethering, Wi-Fi)
View on Smartphone
Remote control via Smartphone
NFC One-touch remote
PC Remote
BRAVIA Sync (Control for HDMI)
PhotoTV HD
NFC One-touch sharing
Audio
Microphone Built-in, stereo
Speaker Built-in, monaural
Print
Compatible Standards Exif Print, Print Image Matching III
Custom Function
Custom Key Settings Yes
My Menu Yes
My Dial Settings Yes
Reg Cust Shoot Set Yes
Programmable Setting Yes (Body 3 sets /memory card 4 sets)
Lens Compensation
Lens Compensation Peripheral Shading, Chromatic Aberration, Distortion
Power
Battery One rechargeable battery pack NP-FZ100
Still Images Approx. 510 shots (Viewfinder) / approx. 600 shots (LCD monitor) (CIPA standard)
Movies (Actual Recording) Approx. 80 min. (Viewfinder) / Approx. 95 min. (LCD monitor) (CIPA standard)
Movies (Continous Recording)  Approx. 130 min. (Viewfinder) / Approx. 135 min. (LCD monitor) (CIPA standard)
Internal Battery Charge Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
USB Power Supply Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
External Power (AC Adapter) -
Power Consumption
With Viewfinder Still images: approx. 4.3W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: approx. 7.6W (with FE 28-70mm F3.5-5.6 OSS lens attached)
With LCD Screen Still images: approx. 3.3W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: approx. 7.3W (with FE 28-70mm F3.5-5.6 OSS lens attached)
Weight
With Battery And Memory Card Included Approx. 699 g
Body Only Approx. 614 g
Oz. with Battery And Memory Card Included Approx. 1 lb 8.7 oz
OZ Body Only Approx. 1 lb 5.7 oz
Dimensions
Dimensions (W x H x D) Approx. 128.9mm x 96.9mm x 80.8mm, Approx. 128.9mm x 96.9mm x 69.7mm (FROM GRIP TO MONITOR)
Inches. Dimensions (W x H x D) Approx. 5 1/8 x 3 7/8 x 3 1/4 inches, Approx. 5 1/8 x 3 7/8 x 2 3/4 inches (FROM GRIP TO MONITOR)
Operating Temperature
Operating Temperature 32 - 104 degrees F / 0 - 40 degrees C
Supplied Accessories
Kit Lens -
Supplied Accessory Rechargeable Battery NP-FZ100
Battery Charger BC-QZ1
Power cord
Cable Protector
Shoulder strap
Body cap
Accessory shoe cap
Eyepiece cup
USB-A to USB-C cable (USB 3.2)

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