Industrial Cameras, Industrial Imaging and Machine Vision - Wholesale Distributor - Aegis Electronic Group
Sony ILCE-7RM5 α7R V Full-frame Mirrorless Interchangeable AI Lens Camera With SDK
Harnessing Cutting-Edge AI Capabilities with Our Powerful SDK: Revolutionize Your Experience with State-of-the-Art Technology
A newly developed AI processing unit
State-of-the-art AI processing with deep learning uses detailed information about human forms and poses to dramatically improve the camera’s subject recognition accuracy and make full use of its potential resolution. AI subject recognition has been expanded to include a number of new subject types, including vehicles and insects.
A new level of resolution
This newest generation of the α7R series continues the pursuit of high image resolution, delivering the highest resolution at low sensitivity in the series thus far. The 35mm full-frame back-illuminated Exmor R™ CMOS image sensor with 61.0 million pixels and the latest BIONZ XR™ image processing engine are used to their fullest potential to deliver extraordinary resolution and fine subject detail.
Advanced optical 5-axis image stabilization
The entire image stabilization system has been updated with a high-precision image stabilization unit, advanced gyro sensors, and optimized image stabilization algorithms. Camera shake is precisely detected and corrected by the image stabilization unit, significantly expanding the range of shooting situations in which reliable stabilization can be achieved. The body alone provides 8-step stabilization for the first time in the α series.
Pixel Shift Multi Shooting responds to changing conditions
Pixel Shift Multi Shooting takes advantage of precision in-body image stabilization system control, capturing up to 16 pixel-shifted shots to be later composited on a computer to achieve outstanding resolution in a single image. With the latest version of Imaging Edge Desktop™ software, small pixel-level movements are automatically detected and corrected.
Selectable RAW image sizes and quality
Lossless RAW image compression allows more high-quality images to be shot in continuous bursts, with a choice of three lossless-compression image sizes. The M and S sizes have the same number of pixels (26M/15M) whether shot in full-frame or APS-C mode, making it possible to seamlessly switch between full frame and APS-C angles of view within the same scene while maintaining the same image resolution.
Precise, versatile external flash control
When a compatible Sony external flash unit is used with the camera's auto white balance function, the white balance is adjusted to produce natural skin tones on faces based on the balance between the flash output and ambient light. Flash control also works with face detection to deliver the optimum flash level for the subject.
Real-time Recognition AF for human
With its innovative AI processing unit, the α7R V can use Real-time Recognition AF to accurately recognize movements of people, providing an approximately 60% improvement in human eye recognition compared to the α7R IV. Human pose estimation technology uses learned human forms and poses to recognize not just eyes but body and head position with high precision, making it possible to lock onto and track a subject facing away from the camera or wearing a mask.
Faster, more precise AF system
The immense processing power of the new BIONZ XR engine and updated algorithms achieve notably improved AF performance, drawing on the huge amount of data generated by the image sensor and the wide-area, high-density AF system. Up to 693 phase detection points cover approximately 79% of the image area. The wider AF area also allows greater framing freedom, for example when shooting portraits in vertical orientation. High AF precision is achieved down to light levels as low as EV -4.0 in AF-S mode (ISO 100 equivalent, F2.0 lens).
Real-time Recognition AF for wider range of subjects
In addition to humans, animals, and birds, the camera can now recognize insects, cars, trains and airplanes, providing even greater flexibility and reliability when shooting both stills and movies. More types of birds are recognized, and animal recognition has been expanded to cover some grazing and small animals in addition to dogs, cats, and similarly featured animals, with up to 40% greater precision.
Continuous shooting
Even with the high resolution of the α7R V, continuous shooting at up to 10 fps with full AF/AE tracking is possible with the mechanical shutter. This level of speed and tracking reliability makes it easy to capture the most photogenic moments and expressions with moving subjects. Up to 583 compressed RAW images can be continuously shot at 10 fps.
Full-time DMF
When shooting stills with AF-C or AF-S autofocus, the lens’s focus ring can be rotated to switch to manual focus mode at any time. This makes it easy to return focus to the original subject if AF switches to a different subject, for example, by simply rotating the focus ring.
Focus bracketing
The α7R V will automatically shoot up to 299 images with sequentially shifted focus points using intervals and a sequence that you specify. The best image can then be selected from the sequence, or a computer application can combine the focus bracketed images to create focus-stacked composites with deeply synthesized depth of field that take advantage of the camera's high resolution.
Full-pixel readout for 8K movies with incredible resolution
The XAVC HS format enables in-camera recording of high-resolution 8K 24p (25p) movies with efficient HEVC/H.265 compression, bringing out the very best in Sony's lenses and taking full advantage of the potential resolution provided by the sensor and full-pixel readout. Even the finest subject details are faithfully captured. The ability to reframe 8K footage in post-production for 4K delivery affords invaluable editing flexibility as well.
Outstanding 4K movie recording
Full-frame and Super 35mm formats can be selected for 4K movie recording, as can 4K 60p (50p) recording. Full pixel readout in the Super 35mm mode without the need for pixel binning makes 2.6x oversampling possible for 4K movies. The XAVC S-I (All-Intra), or the XAVC HS format is supported, as is 10-bit 4:2:2 color sampling.
16-bit RAW output for enhanced editing flexibility
In response to the increasing demand for RAW recording capability, the α7R V provides 16-bit RAW output to an external recorder via an HDMI cable. Full-frame 3848 x 2168 (16:9 aspect ratio) output is available with a choice of frame rates. It is also possible to output RAW via HDMI while recording XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K to internal card media. Proxy recording is also available.
Real-time Tracking for movies
Thanks to substantial improvements in subject recognition, the camera can provide more reliable Real-time Tracking, keeping track of specified subjects with precise focus, including focus on the subject's eyes. Subject recognition is now enabled for movie shoots as well as still-image photography, for fast, stable focus when shooting. Even with subject recognition OFF, touch operation allows subjects to be acquired and tracked based on colour, pattern (luminance) and distance (depth).
S-Log3 gamma curve with 14+ stops of latitude
The S-Log3 gamma curve emphasizes gradation characteristics from shadows to mid-gray (18% gray), achieving up to 14+ stops of latitude. Three color gamut settings are provided: S-Gamut, S-Gamut3, and S-Gamut3.Cine. These advanced settings make it easy to match footage shot on the α7R V with footage shot on VENICE and VENICE 2 digital cinema cameras or FX series cameras equipped with S-Log3 gamma curve settings, for smooth, efficient editing.
Active Mode image stabilization for handheld movie shooting
Active Mode provides strong image stabilization for handheld movie shooting. In addition to in-body stabilization, compatible lenses with their own built-in image stabilization coordinate with the camera body for highly effective control, allowing even handheld telephoto shots.
Designed for smooth movie making
Focus Map makes it easier to visualize depth of field when shooting movies. In addition, a bold, clearly visible red frame appears on screen when recording is in progress. Shot Marks can be added to recorded movie clips in-camera to identify particular scenes.
Unique 4-axis LCD monitor for enhanced shooting flexibility
Sony's newly developed 4-axis multi-angle monitor combines the utility of a conventional tilting monitor with side-opening vari-angle flexibility. It allows greater flexibility in shooting by providing unrestricted angle adjustment in both horizontal and vertical orientations.
Touch operations when shooting or during playback
The Touch Focus, Touch Tracking and Touch Shutter functions can be quickly activated or deactivated by touching an icon on the shooting display. During playback images can be selected by touch, and pinch-out/pinch-in gestures can be used to enlarge or reduce the selected image. Touch sensitivity can be adjusted for optimum control response.
Fast Wi-Fi for PC tethering, FTP and smartphone transfers
Built-in Wi-Fi (IEEE 802.11a/b/g/n/ac) allows communication on the 2.4 GHz and 5 GHz bands. 802.11ac provides 2x2 MIMO support for fast and stable data transfer and reliable communication.
PC Remote shooting via wireless LAN (Wi-Fi)
The camera can be connected to a computer via Wi-Fi for wireless PC Remote (tethered) shooting using the “Remote” function of Sony’s latest Imaging Edge Desktop application, giving the user greater freedom of movement on location or in the studio. 2.4 GHz or 5GHz Wi-Fi bands can be selected as required. In addition to wirelessly connecting the camera directly to the PC, the ability to connect via a wireless access point adds the flexibility needed to work in a variety of network environments.
Effective heat dissipation for extended recording times
Heat generated by the image sensor, image processor, and AI processing unit is effectively dissipated to prevent overheating. One element of this is the graphite material formed into a unique Σ (sigma) shape and built into the image stabilization unit. This structure allows the image sensor, a major source of heat inside the body, to move freely during stabilization while effectively conducting heat away, achieving five times better heat dissipation.
Durable magnesium alloy chassis, reliable mechanical shutter
A lightweight, high-rigidity magnesium alloy is used for the top cover, front cover, internal frame, and rear cover, with durable construction that keeps the camera operating smoothly in hard-working environments. A shutter unit with a fast-response motor minimizes mechanical shutter vibration that can cause blur, while allowing high-speed continuous shooting at up to 10 fps. The shutter is quiet and has been tested for durability in excess of 500 000 shutter cycles.
QXGA viewfinder with the highest resolution in its class
A 9.44 million-dot OLED electronic viewfinder delivers the highest resolution, with approximately 1.6 times the resolution of previous UXGA Tru-Finder™ viewfinders. It also features significantly improved optics and mechanical design, achieving world-record 0.90x viewfinder magnification, and a 41° diagonal FOV (approx. 43° for the entire display area).
Two CFexpress Type A compatible media slots
The α7R V has two media slots that support CFexpress Type A memory cards as well as UHS-I and UHS-II SDXC/SDHC, for high capacity and fast read/write speeds. The same data can be simultaneously recorded to both slots for backup, or the user can choose to separate stills/movies or JPEG (HEIF)/RAW formats. There is also a relay mode in which still image or movie recording will automatically switch to the second media card.
USB PD (Power Delivery) supports fast charging
The α7R V supports USB PD (Power Delivery), allowing higher power to be supplied from an external source. A USB charger or mobile battery that supports USB PD can be connected to the camera's USB Type-C® port, supplying power or charging the internal battery at three to four times the rate of the previous model.
Recycled materials
Sony is working towards the use of non-plastic packaging materials, with plant-based non-woven fabrics as well as recyclable materials. As for the camera itself, no non-recyclable resources are used in our SORPLAS™ material, which is repeatedly recyclable, durable, and high in quality. Recyclable plastics are also used as much as possible, reducing stress on the environment without compromising performance or functionality in any way.
| General | |
| Camera Type | Interchangeable lens digital camera |
| Lens Mount | E-mount |
| Image Sensor | |
| Type | 35mm full frame (35.7 x 23.8 mm), Exmor R CMOS sensor |
| Number Of Pixels (Effective) | Approx. 61.0 megapixels |
| Number Of Pixels (Total) | Approx. 62.5 megapixels |
| Image Sensor Aspect Ratio | 3:2 |
| Color Filter | R, G, B primary color |
| Anti-Dust Function | Yes (Charge protection coating on Optical Filter and ultrasonic vibration mechanism) |
| Recording System (Still Image) | |
| Recording Format | JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant) |
| Image Size (Pixels) [3:2] | 35mm full frame L: 9504 x 6336 (60 M), M: 6240 x 4160 (26 M), S: 4752 x 3168 (15 M), APS-C M: 6240 x 4160 (26 M), S: 4752 x 3168 (15 M) |
| Image Size (Pixels) [4:3] | 35mm full frame L: 8448 x 6336 (54 M), M: 5552 x 4160 (23 M), S: 4224 x 3168 (13 M), APS-C M: 5552 x 4160 (23 M), S: 4224 x 3168 (13 M) |
| Image Size (Pixels) [16:9] | 35mm full frame L: 9504 x 5344 (51 M), M: 6240 x 3512 (22 M), S: 4752 x 2672 (13 M), APS-C M: 6240 x 3512 (22 M), S: 4752 x 2672 (13 M) |
| Image Size (Pixels) [1:1] | 35mm full frame L: 6336 x 6336 (40 M), M: 4160 x 4160 (17 M), S: 3168 x 3168 (10 M), APS-C M: 4160 x 4160 (17 M), S: 3168 x 3168 (10 M) |
| Image Size (Pixels) [Sweep Panorama] | RAW (Compressed / Lossless Compressed (L / M / S) / Uncompressed) |
| Image Quality Modes | JPEG (Extra fine / Fine / Standard / Light) HEIF (4:2:0 / 4:2:2) (Extra fine / Fine / Standard / Light) RAW & JPEG RAW & HEIF |
| 14BIT Raw | Yes |
| Creative Style | - |
| Picture Effect | - |
| Picture Profile | Yes (Off / PP1-PP11) Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset |
| Color Space | sRGB standard (with sYCC gamut) and Adobe RGB standard compatible with TRILUMINOS Color |
| Creative Look | ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6) |
| Dynamic Range Functions | Off, Dynamic Range Optimizer |
| Soft Skin Effect | Yes |
| Color Space | sRGB standard (with sYCC gamut), Adobe RGB standard and Rec. ITU-R BT.2100 standard (BT.2020 gamut). |
| Recording System (Movie) | |
| Recording Format | XAVC S XAVS HS |
| Video Compression | XAVC S: MPEG-4 AVC/H.264 XAVC HS: MPEG-H HEVC/H.265 |
| Audio Recording Format | LPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24 bit), LPCM 4ch (48 kHz 24 bit), MPEG-4 AAC-LC 2ch |
| Picture Effect | - |
| Creative Look | ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6) |
| Creative Style | - |
| Color Space | Rec. ITU-R BT.2100 standard compatible (BT.2020 gamut) |
| Picture Profile | Yes (Off / PP1-PP11) Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset |
| Movie Recording Format (XAVC HS 8K) | |
| 7680 x 4320 (4:2:0, 10bit, NTSC) (Approx.) | 24p (400 Mbps / 200 Mbps) |
| 7680 x 4320 (4:2:0, 10bit, PAL) (Approx.) | 25p (400 Mbps / 200 Mbps) |
| 7680 x 4320 (4:2:2, 10bit, NTSC) (Approx.) | - |
| 7680 x 4320 (4:2:2, 10bit, PAL) (Approx.) | - |
| Movie Recording Format (XAVC HS 4K) | |
| 3840 x 2160 (4:2:0, 10bit, NTSC) (Approx.) | 60p (150 Mbps / 75 Mbps / 45 Mbps) 24p (100 Mbps / 50 Mbps / 30 Mbps) |
| 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.) | 60p (200 Mbps / 100 Mbps) |
| 3840 x 2160 (4:2:0, 10bit, PAL) (Approx.) | 50p (150 Mbps / 75 Mbps / 45 Mbps) |
| 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.) | 50p (200 Mbps / 100 Mbps) |
| Movie Recording Format (XAVC HS 4K) | |
| 3840 x 2160 (4:2:0, 8bit, NTSC) (Approx.) | 60p (150 Mbps) 30p (100 Mbps / 60 Mbps) 24p (100 Mbps / 60 Mbps) |
| 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.) | 50p (200 Mbps) 25p (140 Mbps) |
| 3840 x 2160 (4:2:0, 8bit, PAL) (Approx.) | 50p (150 Mbps) 25p (100 Mbps / 60 Mbps) |
| 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.) | 50p (200 Mbps) 25p (140 Mbps) |
| Movie Recording Format (XAVC S HD) | |
| 1920 x 1080 (4:2:0, 8bit, NTSC) (Approx.) | 120p (100 Mbps / 60 Mbps) 60p (50 Mbps / 25 Mbps) 30p (50 Mbps / 16 Mbps) 24p (50 Mbps) |
| 1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.) | 60p (50 Mbps) 30p (50 Mbps) 24p (50 Mbps) |
| 1920 x 1080 (4:2:0, 8bit, PAL) (Approx.) | 100p (100 Mbps / 60 Mbps) 50p (50 Mbps / 25 Mbps) 25p (50 Mbps / 16 Mbps) |
| 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.) | 50p (50 Mbps) 25p (50 Mbps) |
| Movie Recording Format (XAVC S-I 4K) | |
| 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.) | 60p (600 Mbps) 30p (300 Mbps) 24p (240 Mbps) |
| 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.) | 50p (500 Mbps) 25p (250 Mbps) |
| Movie Recording Format (XAVC S-I HD) | |
| 1920 x 1080 (4:2:0, 10bit, NTSC) (Approx.) | 60p (222 Mbps) 30p (111 Mbps) 24p (89 Mbps) |
| 1920 x 1080 (4:2:0, 10bit, PAL) (Approx.) | 50p (185 Mbps) 25p (93 Mbps) |
| Movie Recording Format (AVCHD) | |
| 1920 x 1080 (4:2:0, 8bit, NTSC) (Approx.) | - |
| 1920 x 1080 (4:2:0, 8bit, PAL) (Approx.) | - |
| Slow & Quick Motion (S&Q) | |
| Image Frame Rate | NTSC mode: 1fps,2fps,4fps,8fps,15fps,30fps,60fps,120fps PAL mode: 1fps,2fps,3fps,6fps,12fps,25fps,50fps,100fps |
| Movie Function | |
| Audio Level Display | Yes |
| Audio Rec Level | Yes |
| PAL/NTSC Selector | Yes |
| Proxy Recording | Yes (1280 x 720 (Approx. 6 Mbps), 1920 x 1080(Approx. 9 Mbps), 1920 x 1080(Approx. 16 Mbps)) |
| TC/UB | Yes |
| Auto Slow Shutter | Yes |
| Gamma Disp. Assist | Yes |
| Raw Output | - |
| Recording System | |
| Location Information Link From Smartphone | Yes |
| Memory Card Slot | SLOT1: Multi slot for SD (UHS-I/II compliant) memory card / CFexpress Type A card, SLOT2: Multi slot for SD (UHS-I/II compliant) memory card / CFexpress Type A card |
| File System | FAT12, 16, 32, exFAT |
| Media | SD memory card SDHC memory card (UHS-I/II compliant) SDXC memory card (UHS-I/II compliant) CFexpress Type A memory card |
| Recording Mode On 2 Memory Cards | Simult. Rec, Sort, Auto Switch Media, Copy |
| Noise Reduction | Long exposure NR: On/Off , available at shutter speeds longer than 1 sec. High ISO NR: Normal/Low/Off |
| White Balance | |
| Modes | Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent ( Warm White / Cool White / Day White / Daylight) / Flash /Underwater/ Color Temperature (2500 to 9900K) & color filter (G7 to M7(57-step), A7 to B7(29-step)) / Custom |
| Shutter AWB Lock | Yes (Shut. Halfway Down / Cont. Shooting / Off) |
| Focus System | |
| Type | Fast Hybrid AF (phase-detection AF / contrast-detection AF) |
| Focus Sensor | Exmor R CMOS sensor |
| Focus Point | 35mm full frame: 693 points (phase-detection AF), APS-C mode with FF lens: 693 points (phase-detection AF), with APS-C lens: 567 points (phase-detection AF) / 25 points (contrast-detection AF) |
| Sensitivity Range | EV-3 to EV20 (ISO100 equivalent with F2.0 lens attached) |
| AF Mode | AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus |
| Focus Area | Wide / Zone / Center Fix / Spot / Expand Spot / Tracking |
| Eye-Start AF | - |
| Eye AF | Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird / Insect / Car・Train / Airplane |
| Other Features | Predictive control Focus lock AF Track Sens. (Still) AF Subj. Shift Sensitivity (Movie) AF Transition Speed (Movie) Switch V/H AF Area AF Area Regist. Circ. of Focus Point Focus Map (Movie) AF Assist (Movie) |
| AF Illuminator | Yes (with Built-in LED type) |
| AF Micro Adjustment | - |
| AF Illuminator Range | Approx. 0.3m - approx. 3.0m (with FE 28-70mm F3.5-5.6 OSS attached) |
| Exposure Control | |
| Metering Type | 1200-zone evaluative metering |
| Metering Sensor | Exmor RS CMOS sensor |
| Metering Sensitivity | EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached) |
| Modes | Multi-segment, Center-weighted, Spot, Spot Standard/Large, Entire Screen Avg., Highlight |
| Exposure Modes | AUTO(iAuto) Programmed AE (P) Aperture priority (A) Shutter-speed priority (S) Manual (M) Movie (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) ) Slow & Quick Motion (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) ) |
| Scene Selection | - |
| Exposure Compensation | +/- 5.0 EV (1/3 EV, 1/2 EV steps selectable) |
| Bracketing | Bracket: Cont., Bracket: Single, 2/3/5/7/9 frames selectable. (Ambient light, Flash light) |
| ISO Sensitivity (Recommended Exposure Index) | [Still images: ISO 100-32000 (ISO numbers up from ISO 50 to ISO 102400 can be set as expanded ISO range.), AUTO (ISO 100-12800, selectable lower limit and upper limit), Movies: ISO 100-32000 equivalent, AUTO (ISO 100-12800, selectable lower limit and upper limit) |
| AE Lock | Locked when shutter button is pressed halfway. Available with AE lock button. (On/Off/Auto) |
| Anti-Flicker Shoot | Yes |
| Viewfinder | |
| Type | 1.6 cm (0.64 type) electronic viewfinder (Quad-XGA OLED) |
| Number Of Dots | 9 437 184 dots |
| Control Function | Brightness, Color temperature, Magnifi. |
| Field Coverage | 100% |
| Magnification | Approx. 0.90x (with 50 mm lens at infinity, -1 m-1) |
| Diopter Adjustment | -4.0 to +3.0m-1 |
| Eye Point | Approx. 25 mm from the eyepiece lens, 21 mm from the eyepiece frame at -1 m-1 (CIPA standard) |
| Display Function | Histogram, Real-time image-adjustment display, Digital level gauge, Grid line, Focus check, Peaking MF, Zebra, Movie marker, Emphasized display during REC |
| Finder Frame Rate Selection | NTSC mode: STD 60fps / HI 120fps, PAL mode: STD 50fps / HI 100fps |
| LCD Screen | |
| Type | 8.0 cm (3.2-type) type TFT |
| Touch Panel | Yes |
| Number Of Dots (Total) | 2 095 104 dots |
| Brightness Control | Manual (5 steps between -2 and +2), Sunny Weather mode |
| Display Function | Histogram, Real-time image-adjustment display, Digital level gauge, Grid line, Focus check, Peaking MF, Zebra, Movie marker, For viewfinder, Monitor Off, Emphasized display during REC |
| Adjstable Angle | Opening Angles (approx.): Up 98 °, down 40 °, side 180 °, rotation 270 ° |
| Focus Check | Yes, Focus Magnifier (35mm full frame: 4.7x / 9.3x, APS-C: 3.1x / 6.1x) |
| Face Detection | |
| Modes | Face/Eye Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority |
| Clear Image Zoom | |
| Still Images | Approx. 2x |
| Movies | Approx. 1.5x (4K/8K), Approx. 2x (HD) |
| Digital Zoom | |
| Smart Zoom (Still Images) | 35mm full frame: M: approx. 1.5x, S: approx. 2x / APS-C: S: approx. 1.3x |
| Digital Zoom (Still Images) | 35mm full frame: L: approx. 4x, M: approx. 6.1x, S: approx. 8x APS-C: M: approx. 4x, S: approx. 5.3x |
| Digital Zoom (Movie) | 35mm full frame: approx. 4x APS-C: approx. 4x |
| Shutter | |
| Type | Electronically-controlled, vertical-traverse, focal-plane type |
| Shutter Type | - |
| Shutter Speed | [Still images: 1/8000 to 30 s, Bulb, Movies: 1/8000 to 1/4 (1/3 steps), up to 1/50 in AUTO mode (up to 1/25 in Auto slow shutter mode) |
| Flash Sync. Speed | 1/250 s (35mm full frame), 1/320 s (APS-C) |
| Electronic Front Shutter Curtain | Yes (ON/OFF) |
| Silent Shooting | Yes (ON/OFF) |
| SteadyShot INSIDE (image stabilization) | |
| Type | Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications) |
| Compensation Effect (Still Images) | 8.0 stops (based on CIPA standard. Pitch/yaw shake only. With FE 50mm F1.2 GM lens mounted. Long exposure NR off.) |
| Mode | [Still images] On / Off, [Movie] Active / Standard / Off |
| Flash | |
| Type | - |
| Guide No. | - |
| Flash Coverage | - |
| Control | Pre-flash TTL |
| Flash Compensation | +/- 3.0 EV (switchable between 1/3 and 1/2 EV steps) |
| Flash Modes | Flash off Autoflash Fill-flash Slow Sync. Rear Sync. Red-eye reduction (on/off selectable) Wireless Hi-speed sync. |
| Recycling Time | - |
| FE Level Lock | Yes |
| External Flash | Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe |
| Wireless Control | - |
| Drive | |
| Drive Modes | Single Shooting Continuous shooting (Hi+/Hi/Mid/Lo selectable) Self-timer Self-timer (Cont.) Bracket: Single Bracket: Cont. Focus Bracket White Balance bracket DRO bracket |
| Self-Timer | 10 s delay / 5 s delay / 2 s delay / Continuous self-time / Bracketing self-timer / Self-timer (Movie) |
| Pixel Shift Multi Shooting | Yes (4 shots / 16 shots) |
| Speed (Approx., Max.) | Continuous shooting: Hi+: 10 fps, Hi: 8 fps, Mid: 6 fps, Lo: 3 fps |
| No. Of Frame Recordable* (Approx.) | JPEG Extra fine L: over 1000 frames JPEG Fine L: over 1000 frames JPEG Standard L: over 1000 frames RAW: 583 frames RAW & JPEG: 184 frames RAW (Lossless Compressed): 547 frames RAW (Lossless Compressed) & JPEG: 159 frames RAW (Uncompressed): 135 frames RAW (Uncompressed) & JPEG: 88 frames |
| Playback | |
| Modes | Single (with or without shooting information Y RGB histogram & highlight / shadow warning) Index view Enlarged display mode (L: 18.6x, M: 12.2x, S: 9.3x) Auto Review Image orientation Folder selection (Date / Still / Movie) Protect Rating Display as Group Shot Mark (Movie) Divider Frame Crop |
| Photo Capture | Yes |
| Interface | |
| PC Interface | Mass-storage / MTP |
| Multi/Micro USB Terminal | Yes |
| USB Type-C Terminal | Yes (SuperSpeed USB 10 Gbps (USB 3.2) compatible) |
| NFC | - |
| Sync. Terminal | Yes |
| Wirelass LAN (Built-In) | Yes (Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac (2.4GHz band/5GHz band)) |
| Bluetooth | Yes (Bluetooth Standard Ver. 5.0 (2.4 GHz band)) |
| HDMI Connector | HDMI connector (Type-A) 3840 x 2160 (60p / 50p / 30p / 25p / 24p) / 1920 x 1080 (60p / 50p / 24p) / 1920 x 1080 (60i / 50i), YCbCr 4:2:2 10bit / RGB 8bit7860 x 4320 (24p / 25p), YCbCr 4:2:0 8bit 3848 x 2168 (60p / 50p / 30p / 25p / 24p), Raw 16bit |
| Mutli Interface Shoe | Yes (with Digital Audio Interface) |
| Headphone Terminal | Yes (3.5 mm Stereo minijack) |
| Remote Control (Wireless) | Yes (Bluetooth remote control) |
| Mic Terminal | Yes (3.5 mm Stereo minijack) |
| LAN Terminal | - |
| Wired | - |
| Vertical Grip Connector | Yes |
| Functions | FTP Transfer Func.(Wired LAN(USB-LAN), USB Tethering, Wi-Fi) View on Smartphone Remote control via Smartphone PC Remote BRAVIA Sync (Control for HDMI) PhotoTV HD |
| USB Streaming | |
| Video Data Format | MJPEG YUV420 |
| Video Resolution | 3840 x 2160 (15p / 12.5p) / 1920 x 1080 (60p / 50p / 30p / 25p) / 1280 x 720 (30p / 25p) |
| Audio Data Format | LPCM 2ch (16 bit 48 kHz) |
| Simultaneous Internal Recording | Yes |
| Audio | |
| Microphone | Built-in, stereo |
| Speaker | Built-in, monaural |
| Compatible Standards | Exxif Print, Print Image Matching III |
| Custom Function | |
| Custom Key Settings | Yes |
| My Menu | Yes |
| My Dial Settings | Yes |
| Reg Cust Shoot Set | Yes |
| Programmable Setting | Yes (Body 9 sets /memory card 12 sets) |
| Lens Compensation | |
| Lens Compensation | Peripheral Shading, Chromatic Aberration, Distortion, Breathing (Movie) |
| Power | |
| Battery | One rechargeable battery pack NP-FZ100 |
| Still Images | Approx. 440 shots (Viewfinder) / Approx. 530 shots (LCD monitor) (CIPA standard) |
| Movies (Actual Recording) | Approx. 90 min (Viewfinder) / Approx. 100 min (LCD monitor) (CIPA standard) |
| Movies (Continous Recording) | Approx. 145 min (Viewfinder) / Approx. 150 min (LCD monitor) (CIPA standard) |
| Internal Battery Charge | Yes (Available with Multi/Micro USB Terminal or USB Type-C Terminal) |
| USB Power Supply | Yes (Available with Multi/Micro USB Terminal or USB Type-C Terminal) |
| External Power | - |
| Power Consumption | |
| With Viewfinder | Still images: Approx. 4.5 W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: Approx. 6.8 W (with FE 28-70mm F3.5-5.6 OSS lens attached) |
| With LCD Screen | Still images: Approx. 3.7 W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: Approx. 6.6 W (with FE 28-70mm F3.5-5.6 OSS lens attached) |
| Weight | |
| With Battery And Memory Card Included | Approx. 723 g |
| Oz. With Battery And Memory Card Included | Approx. 1 lb 9.6 oz |
| Body Only | Approx. 638 g |
| Body Only (Oz.) | approx. 1 lb 6.6 oz |
| Dimensions | |
| Dimensions (W x H x D) | Approx. 131.3 x 96.9 x 82.4 mm, Approx. 131.3 x 96.9 x 72.3 mm (FROM GRIP TO MONITOR) |
| Dimensions (W x H x D) (in.) | Approx. 5 1/4 x 3 7/8 x 3 1/4 inches, Approx. 5 1/4 x 3 7/8 x 2 7/8 inches (FROM GRIP TO MONITOR) |
| Operating Temperature | |
| Operating Temperature | 0 - 40 ℃ / 32 - 104 °F |
| Supplied Accessories | |
| Kit Lens | - |
| Supplied Accessory | Rechargeable Battery NP-FZ100 Battery Charger BC-QZ1 Power cord Cable Protector Shoulder strap Body cap Accessory shoe cap Eyepiece cup USB-A to USB-C cable (USB 3.2) |
